front 1 1:How can you sign in to your Avid Master Account when starting work in Pro Tools? What is required to sign in to your account? | back 1 Projects>sign in [top left] Needs an account, a username, and password |
front 2 1:Why is it important to select the audio interface you want to use prior to creating or opening a session? What dialog box can you use for this purpose? | back 2 To switch between multiple connected audio interfaces; switch to/from your computer's built in audio Playback Engine Dialogue Box |
front 3 1:What is the H/W Buffer Size setting in the Playback Engine dialog box used for? What kinds of tracks are affected by this setting? | back 3 Determines the number of samples passed from the audio interface to the computer's CPU at once for host-based processing tasks, such as Native plug-in processing Audio tracks being recorded simultaneously, tracks with processing-intensive effects. |
front 4 1:What dialog box can you use to configure the available options for your connected audio interface? | back 4 Hardware set up [setup>hardware] |
front 5 1:How can you specify the I/O settings that Pro Tools will use when creating a new session from the Dashboard? | back 5 using the I/O pop-up menu |
front 6 1:Where are changes to Pro Tools I/O settings saved? Are they stored in the session or on the system? | back 6 Saved on your system as your Last Used I/O settings |
front 7 1:What dialog box can you use to rename signal paths? | back 7 In I/O Setup [Setup>I/O] |
front 8 1:How can you configure an audition path in Pro Tools? | back 8 Setup>I/O Click the Output tab Click the Audition Path selector and select alternate Output path |
front 9 1:What are some ways to open a recently used project or session on a system? | back 9 File>Open Recent, select file File>Create New or File>Open Project, then click recent |
front 10 1:What shortcut operation can you use to add an individual Audio track to your session? | back 10 Command/Ctrl+Double Click |
front 11 1:What options are available for changing the display of the Mix and Edit windows? What are some of the optional views available in each window? | back 11 Edit Window View selector: above track display, toggle views on/off, escape to close; inserts, sends, track color Ruler View selector: Main Timebase Ruler display, select rulers to toggle on/off; rulers, markers Mix Window View selector: lower left corner of mix window, select views to toggle on/off; inserts, sends, I/O |
front 12 1:How can you easily show or hide tracks in Pro Tools? What is the difference between hiding a track and deleting a track? | back 12 track list, click track show/hide icon [black dot] Hiding=can still be used, just has to be unhidden Deleting=gone for good |
front 13 1:What are some options available in the Track List pop-up menu? | back 13 Track specific commands Show only certain track types |
front 14 2:What are some of the features enabled by Pro Tools | Ultimate software? | back 14 -Full surround mixing capabilities -Advanced automation features including Snapshot automation and Glide Automation commands -Video Editing features |
front 15 2:What is required to import and arrange multiple video clips on a Video track? | back 15 Pro Tools | Ultimate subscription |
front 16 2:Name some areas of focus available for Workspace browsers in Pro Tools. | back 16 -Sound Libraries -Volumes -Session -Track Presets -Catalogs -User |
front 17 2:What are some of the functions that you can perform using a Workspace browser? | back 17 -aces, view, and search the contents of your drives -designate the function of each drive -view, manage, audition, and import files from a drive -locate and open a session from a drive |
front 18 2:How can you audition files from a browser? How can you audition them in context with your session? | back 18 Select audio file, press space Enable Audio Files Conform to Session Tempo, activate playback of your session by pressing the zero key on your numeric keypad, activate the preview as above. |
front 19 2:What is Soundbase? What are tags in Soundbase? | back 19 Soundbase is a Workspace browser window that allows you to find audio files using tags Tags are descriptive labels that are saved as metadata [file properties] within a WAV or AIFF audio file |
front 20 2:What are some available destinations when importing audio from a Workspace browser or Soundbase? | back 20 Can be imported to Clip List or tracks |
front 21 2:What are some of the different types of media you can import into Pro Tools (in addition to audio files)? | back 21 Audio, MIDI, Video |
front 22 2:What command allows you to import entire tracks from another Pro Tools session into your current session? | back 22 File>Import>Session Data or Option+Shift+i |
front 23 2:What types of clips can be grouped together as a clip group? Can clips of different types be combined into a single clip group? | back 23 Audio, MIDI, or video clips Multitrack clip groups have clips from other tracks, can be audio, midi, video |
front 24 2:How many clips are required for a clip group? Can clip groups contain silence? | back 24 No minimum required clips Clip groups can contain silence |
front 25 2:What kind of icon is used to indicate a clip group? Where is the icon located? | back 25 A media-type symbol inside a shaded box or container Bottom left of the group |
front 26 2:What do the Ungroup and Ungroup All commands do? How would you go about reassembling a clip group after using one of these command? | back 26 Ungroup-return contained clips to their original state Ungroup All-ungroups all nested clips simultaneously Regroup undoes last ungroup command |
front 27 3:What menu would you use to display Conductor rulers, such as Meter and Tempo? How can you display rulers without using a main menu? | back 27 View>Rulers Ruler View Selector [top left of rulers], esc when done |
front 28 3:What are the default tempo and meter for all Pro Tools sessions? | back 28 120 BPM; 4/4 time |
front 29 3:What modifier key would you hold while clicking on a ruler to add a Meter or Tempo change to your session? | back 29 Control (mac) or Start (windows) |
front 30 3:What main menu provides access to the Tempo Operations window? What is the purpose of the Linear page in the Tempo Operations window? | back 30 The Event Window; tempo change window [midi controls section in transport window] Linear Tempo Change: create tempos that change evenly over a selected range of time |
front 31 3:How can you configure Pro Tools to use a virtual instrument as the sound source for the metronome click? How can you control what notes are played for the accented and unaccented beats? | back 31 setup > click/countoff or dbl click metronome button change note pitch |
front 32 3:Describe at least three different ways to make a selection for recording. | back 32 -Click clip with grabber tool -during playback: down arrow key where it starts, up where it ends -Grid mode, timeline selection points: In point at beginning, out at the end |
front 33 3:Describe three ways to set the pre- and post-roll values. What modifier do you use to set pre- and post-roll by clicking in a track playlist? | back 33 -View > Transport > Expanded; fill in pre- and post-roll fields -create selection; selector tool: option/alt-click before/after to set pre-/post-roll -Grid Mode, drag pre-/post-roll flags to new locations in main timebase ruler Option-Click in a playlist |
front 34 3:What keyboard shortcut can you use to toggle Pre/Post Roll on and off? | back 34 CMD/CTRL+K options>pre/post-roll |
front 35 3:What are alternate playlists in Pro Tools? How can playlists be useful when recording multiple takes? | back 35 Alternate playlists allow you to create multiple versions of the track, each containing a different arrangement of clips If one take is better than the others |
front 36 3:When might you use the Pro Tools Preferences setting called Send Fully Overlapped Clips to Available Playlist While Recording? How can you ensure that the original audio gets moved to a playlist when rerecording just a section of the original using this setting? | back 36 When you want to keep every take Setup>Preferences- editing tab- send fully overlapped clips to available playlist while recording separate at original clip |
front 37 3:What are some differences in the way audio and MIDI clips are created when loop recording? How would you go about enabling loop recording for audio or MIDI? | back 37 Audio- creates single audio file for all takes; if interrupted before midpoint of loop, the entire take for the pass is disregarded MIDI- new clips are created; if interrupted, entire clip is retained |
front 38 3:What Preferences setting do you need to use to enable automatic playlist creation when Loop Recording? | back 38 Setup>Prefrences- operation- Automatically Create New Playlists When Loop Recording |
front 39 3:How can you cycle through alternate takes from playlists? How can you audition takes from playlists while cycling through them? | back 39 Previous:Command/CTRL+Shift+Up Arrow Next: Command/CTRL+Shift+Down Arrow Audition: options>loop playback- select current record- start playback- cycle through takes |
front 40 3:What is the purpose of MIDI Merge mode? How can you perform a MIDI Merge recording while looping? | back 40 MIDI merge adds data to an existing MIDI clip No |
front 41 4:What timebase do Audio Tracks default to? MIDI Tracks? Instrument Tracks? | back 41 Audio: Sample MIDI: Tick Instrument: Tick |
front 42 4:Which Pro Tools timescales are absolute? Which are relative? What is the difference between absolute and relative timescales? | back 42 Absolute-- Samples, Mins:Secs, Timecode, Feet + Frames Relative-- Bars|Beats Absolute doesn't change, relative change dynamically with the session tempo |
front 43 4:How do audio clips respond to tempo changes on a sample-based track? How do they respond if you change the track to tick-based (without using Elastic Audio)? | back 43 Audio clips on sample-based: audio will remain fixed at its absolute location when tempo is modified Tick based: start will become fixed to the Bars|Beats ruler, clips will move relative to the sample timeline |
front 44 4:Pro Tools provides 960 ticks per quarter note; how many ticks does it provide per half note? How many per eighth note? | back 44 1/2: 1920 ticks 1/8: 480 |
front 45 4:Why might you want to render a MIDI performance to audio? What are some available options for rendering a virtual instrument’s output to an audio file? | back 45 To use audio editing features like adding fade-ins and outs, and AudioSuite processing. drag MIDI clips to an audio track, freeze the track [snowflake button]; right-click nameplate, click freeze; Track>Freeze |
front 46 4:What are some of the different options available for viewing data on MIDI and Instrument tracks in the Edit window? What kinds of operations can you perform in each view? | back 46 Clips:Displays data in clips for arranging and assembling Notes: displays notes as small individual segments in piano-roll style Velocity: displays note attack velocities using velocity stalks Volume, Pan, and Controller Graph Views: siaplay automation playlists and continuous controller line graphs |
front 47 4:Where are the MIDI input and output controls located for MIDI tracks in the Mix window? Where are they located for Instrument tracks? | back 47 MIDI: Under the I/O section Instrument: Top part, under the Instrument section |
front 48 4:What does the MIDI Thru option do? How is it enabled? | back 48 Allows incoming MIDI data to pass through a track to its MIDI output Setup> Preferences- MIDI- click default thru instrument- follows first selected MIDI track |
front 49 4:What is the Default Thru Instrument setting used for? How can you change the Default Thru Instrument setting? | back 49 Allows you to audition MIDI by selecting a MIDI or Instrument track routed to the target virtual instrument Setup> Preferences- MIDI- click default thru instrument |
front 50 4:What keyboard modifier would you use when clicking on a MIDI clip in the Clip List to audition it? What is required for this process to play sound? | back 50 Option/Alt-Click the MIDI clip in the Clip List |
front 51 4:How is editing MIDI data different from editing audio? How are MIDI notes affected when deleting a selection or trimming a clip compared to how audio waveforms are affected? | back 51 MIDI notes and parameters can be modified in ways audio cannot Deleting/trimming a selection of MIDI notes: -starting at the end of the note, keeps the whole note clip -starting at the beginning of the note, deletes the whole note clip |
front 52 4:What are some of the functions of the Pencil tool when editing MIDI notes? | back 52 In Notes view, the Pencil behaves like a smart tool -grabber when over the middle of a MIDI event -Trim tool when over either end -Option->selector -Control->Marquee Grabber -Command->Velocity Trimmer over middle of the note |
front 53 4:What setting normally determines the Default Note Duration when adding notes with the Pencil tool? How can this setting be changed? | back 53 The current Grid value Default Note Duration selector in the toolbar- Select desired note value OR select Follow Grid to match selected grid value |
front 54 4:How can you select a range of MIDI notes using the on-screen keyboard? | back 54 Select, shift-click to add to current selection |
front 55 4:What process can be used to transpose MIDI notes? What modifier can you use to transpose a selection up or down by an octave at a time? | back 55 Select notes: -arrow up/down to move by half-steps -Control+arrow up/down to move by whole steps -Shift+arrow up/down to move by octaves |
front 56 4:How can you edit MIDI note velocities from the computer keyboard? | back 56 Command+arrow up/down to move by 5 units Command+Shift+arrow up/down to move by 15 units |
front 57 4:Describe some different ways of deleting notes on a MIDI or Instrument track. What track views allow you to delete notes? | back 57 Notes or Velocity view -Edit>clear -delete -pencil tool- hold option- click note |
front 58 5:How would you go about enabling Elastic Audio on a track? | back 58 Track header- second on the bottom left [looks like an upside-down Y] |
front 59 5:Which real-time Elastic Audio plug-in typically works best for drums? Which typically works best for vocals? | back 59 Drums: Rhythmic Vocals: Monophonic |
front 60 5:Which Elastic Audio plug-in provides only Rendered processing? When/why would you want to use Rendered processing? | back 60 X-Form Less demanding on resources |
front 61 5:What can the Elastic Audio analysis’ tempo detection determine about an audio file? What are some conditions that will cause no tempo to be detected? | back 61 The length of the file based on bars|beats single transient, tracks with tempo changes, inconsistent beat |
front 62 5:Where are Warp Indicators displayed? What are they used for? | back 62 Top right corner of clip To indicate that processing has been applied |
front 63 5:What views are available for working with Elastic Audio-enabled tracks? What is each view used for? | back 63 Analysis- edit event markers Warp view- allows you to manipulate clips and timing |
front 64 5:Name the three types of Elastic Audio markers. What are the differences between them? | back 64 Event- indicate detected audio events Warp- anchor audio to the timeline Tempo generated warp- indicates where elastic audio processing has been applied due to tempo event |
front 65 5:What are some ways to add Warp markers to a clip? List at least three. | back 65 Control+Click Double click on event marker click with pencil |
front 66 5:What is a Telescoping Warp? How does it differ from an Accordion Warp? From a Range Warp? | back 66 Telescoping- Allows you to stretch/compress the entire waveform/clip Accordion- applies processing to either side of the warp marker Range- applies processing between two fixed points |
front 67 5:What is the effect of quantizing a selection on an Elastic Audio-enabled track? What happens to the Event markers within the selection? | back 67 The event markers close to the grid turn to warp markers and they will be matched to the grid [Takes audio and puts it in time] |
front 68 5:Why is it important to have accurate Event markers in your clips when applying Quantize operations on Elastic Audio-enabled tracks? | back 68 So that you don't have false transients which could alter the timing/quality of the clip |
front 69 5:After enabling a track for Elastic Audio, how would you enable the track to update dynamically to match any subsequent tempo changes you make in the session? | back 69 Make sure it's set to be tick based |
front 70 5:What are some ways to improve the quality of audio that has been warped with Elastic Audio processing? | back 70 Edit event markers use X-Form |
front 71 5:What is meant by Event Confidence? How can Event Confidence be used to eliminate false transients when applying TCE processing on Elastic Audio-enabled tracks? | back 71 Event confidence- Based on the clarity of the transient By adjusting the level, then it won't pick up false transients |
front 72 5:What are two ways to apply Elastic Audio pitch transposition? What are some applications for using each option? | back 72 In the elastic properties window- good for using across clips Transpose window- good for using across tracks [especially MIDI] |
front 73 6:What are the functions available with the Smart Tools? How can you access the Selector with Smart Tool active? How can you access the Grabber? | back 73 Selector- Upper half of clip Trim- near clip boundary Grabber- lower half of clip, not near clip boundary |
front 74 6:How can you create fades with the Smart Tool? How can you specify the fade curves that the Smart Tool applies? | back 74 Drag from clip boundaries into the clip/clips Setup>Preferences- editing tab- default fade settings- choose desired fade curve settings |
front 75 6:What menu command would you choose to open a Fades dialog box? What is the associated keyboard shortcut? | back 75 Edit>Fades>Create Command+F |
front 76 6:What are some options for previewing crossfades in the Fades dialog box? | back 76 Audition button Fade curves only Fade curves and Separate Waveforms Fade Curves and Superimposed Waveforms Fade curves and summed waveforms |
front 77 6:What are some options for saving and recalling fade shapes or configurations in the Fades dialog boxes? | back 77 Fade Presets [edit preset: command-click the preset box] Save as a named preset: configure fade as desired- click librarian menu- save settings as |
front 78 6:What operations can you use to edit existing fades on a track playlist? | back 78 Change to different fade settings: double-click with grabber tool- modify settings in the dialogue box Change to different fade curve: right-click with any edit tool- Fades- select fade shape/slope Using keyboard: option+control+left/right arrow to change to next/previous fade shape |
front 79 6:What is the purpose of the Quantize function in Pro Tools? What are some different ways to apply quantization? | back 79 To correct or modify the timing of rhythmic material Input Quantize: Event>Event Operations>Input Quantize- Enable Input Quantize MIDI Data: make a selection- Event> Event Operations> Quantize- what to quantize, choose note attributes Audio Clips: Select audio clip(s)- Event> Event Operations> Quantize, or press Option+0 [zero]; Audio clips- configure options and parameters Elastic Audio: Option+0> Elastic Audio Events, configure settings |
front 80 6:What is the purpose of quantizing audio clips? How is this different from quantizing Elastic Audio? | back 80 Adjusts clip start times Keeps the same length of the clip, just moves the beginning to the grid line |
front 81 6:What feature lets you apply changes to a MIDI performance without permanently altering the underlying MIDI data on a track? | back 81 Real-Time Properties View |
front 82 6:What types of tracks and clips are affected by Real-Time Properties? | back 82 MIDI and Instrument tracks |
front 83 6:What are some of the differences between the Real-Time Properties view in the Edit window and the Real-Time Properties floating window? Which allows you to apply clip-based Real-Time Properties? | back 83 Edit- applies real-time properties to the track Floating- apply real-time properties to selected tracks or clips floating |
front 84 7:Describe the process of creating a clip loop. What are some of the options available in the Clip Looping dialog box? | back 84 Select an audio clip, MIDI clip, or clip group, or select clips across multiple tracks- Clip>Loop to open the dialogue box [Option+Command+L] -Number of Loops -Loop Length -Loop Until End of Session or Next Clip -Enable Crossfade to create crossfades at the loop points |
front 85 7:What are the two ways that the Trim tool can be used to edit a clip loop? | back 85 -If the tool is in the main part of the clip, the entire clip loop can be trimmed in or out, adding or removing loop iterations as needed [Hold Control while trimming to add/remove whole loop iterations] -If the tool is in line with a Loop icon, the source clip and all iterations will be trimmed |
front 86 7:How would you go about creating a loop from several separate clips on a track that you want to have repeat as a unit? | back 86 Make them into a clip group, then loop the clip group |
front 87 7:What happens to clip loops when you choose the Clip > Ungroup All command? | back 87 All loop iterations will be flattened [made into individual copies of the source clip] and all clip groups will be ungrouped, down to the lowest nested level |
front 88 7:What is the difference between Absolute and Relative Grid Modes? When would you use each? | back 88 Absolute- Moving any clip or MIDI note snaps the clip point to the Grid boundaries Relative- Moving any clip or MIDI note moves it in grid increments |
front 89 7:What is the purpose of Layered Editing mode? How can Layered Editing be enabled or disabled? | back 89 Preserves underlying clips when clips are overlapped Options>Layered Editing; Layered Editing button [under pencil tool] |
front 90 7:Do AudioSuite plug-ins provide real-time processing or non-real-time processing? When might you use AudioSuite processing instead of a plug-in insert? | back 90 Non-real-time processing Conserve real-time processing resources, to apply it to certain parts of a track, to be written into a file for use outside of the session |
front 91 7:What does the Use In Playlist button do in the AudioSuite plug-in window? How can you tell when this option is active? | back 91 Controls whether the processed audio will replace your selection on the track when selected, it will appear blue |
front 92 7:Explain the difference between applying AudioSuite processing as “Clip by Clip” versus “Entire Selection." | back 92 Clip by Clip: Analyzes each clip in a selection individually; helpful when you want to apply the effect for each individual clip separately Entire Selection: Analyzes entire selection as if it were one complete clip; useful when applying continuous processing to all of the clips in a selection |
front 93 7:Why is it important to consider the Handle Length setting when processing with an AudioSuite plug-in? What types of processing might be affected by AudioSuite handles? | back 93 It affects carry over on underlying clips It may affect reverb and dynamics |
front 94 7:What modifier key can you use to audition a clip in the Clip List? | back 94 Option-click |
front 95 7:How could you set the Clip List for a session you just opened to display only your newly recorded and edited clips going forward? | back 95 Clip List Pop-up menu, Include Subsequently Added Clips option |
front 96 7:What are some options for selecting multiple clips in the Clip List? How can you select a range of contiguous clips? How can you select non-contiguous clips? | back 96 Range: Click and drag on left side, shift-click highest and lowest clips you want multiple individual: Command-click clips you want |
front 97 7:What is the difference between removing clips versus moving to trash or deleting clips using the Clear command in the Clip List? | back 97 Trash: moves clips and parent files to trash Delete: removes clips and permanently deletes associated parent files from disk |
front 98 7:What are some options for making selections or subset clips available outside of the current session? What is the purpose of the Capture command when exporting clips? | back 98 Edit> Consolidate Clip; right-click- Reveal In Finder Lets you create a new subset clip in the Clip List without making a separation on the track |
front 99 8:Where can you assign the color coding that Pro Tools will automatically apply for tracks and clips? How can you display track color bars in the Mix and Edit windows? | back 99 Setup> Preferences> Display tab View- Mix/Edit Window Views- Track Color |
front 100 8:Describe the track icons used for the following track types in the Mix window: Audio, Aux Input, MIDI, Instrument, and Master Fader. | back 100 Audio-waveform Aux-down arrow MIDI-5-pin connector Instrument- keyboard Master Fader- Sigma [ Σ ] |
front 101 8:What are some of the track status indicators available in the Edit window? Describe at least three. | back 101 Freeze Solo Mute |
front 102 8:How many inserts are available on a track in Pro Tools? Why is it important to consider the order in which inserts are arranged on a track? | back 102 10 They process in a series |
front 103 8:Are inserts pre-fader or post-fader on Audio tracks, Instrument tracks, and Aux Input tracks? Are inserts any different on Master Fader tracks? Explain. | back 103 Audio, Instrument, Aux: Pre-fader Master Fader: Post-fader |
front 104 8:Are sends pre-fader or post-fader on Audio tracks, Instrument tracks, and Aux Input tracks? Are sends any different on Master Fader tracks? Explain. | back 104 Either No sends on Master |
front 105 8:How many sends are available on a track in Pro Tools? | back 105 10 |
front 106 8:What is the difference between an Output send and a Bus send? When would you use each? | back 106 Output- outputs through audio interface to an external processor Bus- routes through internal mix bus |
front 107 8:What level does a send default to when it is first created? How can you change this default? | back 107 -- infinity Setup> preferences > mixing tab- sends default to "-INF" |
front 108 8:What is the difference between standard view and expanded view for sends? What keyboard modifier can you use to toggle between view modes by clicking a send selector? | back 108 Standard- Sends A-E & F-J Expanded- Each send position can be configured to display its assignment in an expanded view across all tracks Command-Click send selector |
front 109 8:How can you prevent a “return” track from muting when one of the source tracks is soloed? What modifier key is used to enable this function? | back 109 Solo Safe Mode Command-click the solo button |
front 110 8:What is the effect of enabling the PRE button in a send window? What is the effect of enabling the FMP button? | back 110 PRE: makes the send level independent of the track's output fader position FMP: links the Send pan to the main pan for the track, allowing for fast setup of cue mixes or effects |
front 111 8:How can you visually determine whether the Inverse Pan option is enabled for a send? What button(s) will be highlighted? | back 111 Linking button, and Inverse button enabled |
front 112 8:How can you copy a send from one track to another track and duplicate its settings? What considerations might apply? | back 112 Drag and drop Copy it: Option-click send assignment, then drag it to a new position Moving stereo sends from a stereo to a mono track |
front 113 8:Which type of plug-in effects are generally used on inserts? Which are generally used with sends? Why? | back 113 Inserts: EQ and Gain based processing Sends: Reverb and other Time based processing |
front 114 8:What is the Librarian menu used for in a plug-in window? What is displayed in the Librarian menu when you first assign a plug-in? Why? | back 114 Lets you select from avaliable presets for the current plug-in <Factory Default> |
front 115 8:What are some of the uses of a Master Fader? How can you assign a Master Fader to the desired output or bus? | back 115 Control and process output mixes, monitor and meter an output level to guard against clipping, control submix levels Audio Output Path Selector, set to the same main output bus |
front 116 9:What are some of the parameters that you can automate in Pro Tools? | back 116 -Volume, Pan, and Mute on Audio, MIDI, Instrument Tracks, and Aux Inputs -Volume controls on Master Faders -Send Volume, Send Pan, and Send Mute |
front 117 9:What are some differences between MIDI controller automation data and Pro Tools audio automation? What kinds of tracks can Pro Tools audio automation be used on (Audio, MIDI, etc.)? | back 117 Pro Tools audio automation provides much higher resolution than MIDI controller automation More precise control Audio, Instrument, Aux |
front 118 9:What selector can you use to set the automation mode for a track? Where is this selector located? | back 118 Automation Mode Selector in the mix and edit window |
front 119 9:What is the difference between the Write, Touch, and Latch automation modes? | back 119 Write- Automation starts writing for all enabled parameters when playback starts, overwriting any previous automation data Touch- Automation starts writing when an enabled parameter is modified. Modified parameters only write while being held Latch- Automation starts writing when an enabled parameter is modified. Modified parameters continue writing automation after being released. |
front 120 9:When might you suspend automation? What is the difference between the Suspend button and the Write Enable buttons? | back 120 Lets you temporarily ignore all automation in the session so that you can freely adjust volume, pan, and other parameters without affecting underlying automation. Suspend- Suspends writing and playback of all automation parameters for all tracks Write Enable- Enable or disable writing for the corresponding automation parameter across all tracks |
front 121 9:What are the advantages of using Touch or Latch mode over using Write mode? In what scenarios would you use Latch mode? When would it make more sense to use Touch mode? | back 121 Latch- Set a parameter and let it ride through long sections of a mix. [initial automation passes to set levels for the different parts of a song] Touch- To touch up small sections of existing automation [such as to boost a vocal for a specific line or word] |
front 122 9:What are two ways to display an automation playlist in the Edit window? | back 122 Track View Selector- select the automation you want to view or edit Show/Hide Lanes: click the square Show/Hide Lanes button at the bottom left head of the track |
front 123 9:What are some common automation graphs that you may work with? How might automation be different for different types of parameters, with respect to available vertical positions? | back 123 Volume: enables you to edit volume automation using the Edit tools [anywhere on spectrum] Pan: dragging a breakpoint up pans to the left, dragging down pans to the right, middle pans to the center, dragging left/right adjusts timing [top is left, bottom is right] Mute: toggles between muted and unmuted states. Mute- drag down, unmute- up, left/right adjusts timing [on or off, up or down] |
front 124 9:What are some ways that the Grabber tool can be used to edit an automation playlist? How would you go about Nudging automation breakpoints? | back 124 Grabber- adds breakpoints, click and drag point to move it to a new location Nudge- select range, select nudge increment, hit + or - on the numeric keypad |
front 125 9:What are some ways that the Pencil tool can be used to edit an automation playlist? | back 125 Draw in automation |
front 126 9:How is cutting automation data different from deleting automation data? | back 126 Cut- removes, adds breakpoints at beginning of selection Delete- removes, adds no breakpoints |
front 127 9:What will be the result if you copy automation (Edit > Copy) from a track displaying Volume automation and paste the automation (Edit > Paste) on a track displaying Pan automation? | back 127 it won't copy over |
front 128 9:How would you go about duplicating volume automation from a track on Send B for the track? | back 128 Paste Special, Command+Control+V |
front 129 9:How can you delete individual breakpoints in an automation graph? How can you delete a range of automation breakpoints? | back 129 Option-click with the pencil |
front 130 9:How can you clear all automation on a displayed automation graph? What modifier can you use to clear the automation across all automation graphs for a track? | back 130 -Select entire graph [triple-click] -Press Delete or Edit>Clear |
front 131 10:How is the Do-To-Selected function useful? What keyboard modifier set is used to access Do-To-Selected functionality? | back 131 To apply the same action over the selected tracks at once Option+Shift |
front 132 10:Describe the process of creating a drum submix. What kind of track is traditionally used as a submix destination? | back 132 Make a new mono/stereo Aux Input track, set all the tracks you want included to the same output [ex. Bus 3-4], set the input on the aux track made to match the bus [ex. Bus 3-4], set the aux's output to match the main stereo outputs, solo-safe the aux track |
front 133 10:What is the difference between a Basic Folder track and a Routing Folder track? Which kind is useful for submixing? | back 133 Both can contain sets of other tracks, organizing them into collapsible track collections; though routing can be used for submixing Routing |
front 134 10:What process can you use to route the outputs of a set of tracks to a destination track? | back 134 set all the tracks you want included to the same output [ex. Bus 3-4], set the input on the aux track made to match the bus [ex. Bus 3-4] |
front 135 10:What is the purpose of grouping tracks? How many track groups can you create in a session? | back 135 Useful to ensure that a certain set of tracks is always edited in an identical manner 104 |
front 136 10:What are some of the parameters that are affected by Edit groups? What are some of the parameters that can be included in a Mix group? | back 136 Affected Edit group parameters: track views, track heights, timebase settings, etc Mix group can include: Main volume level, track panning, automation mode settings, track mode settings, etc. |
front 137 10:What is the keyboard shortcut to create a Mix or Edit group from selected tracks? | back 137 command+G |
front 138 10:How can you enable or disable a single group? How can you globally suspend all groups? How can you visually tell when groups have been suspended? | back 138 Single: in Group List, click the name of the group to enable/disable the group All: Click the Group List Pop-Up selector and choose Suspend All Groups [Command+Shift+G] They will be dimmed |
front 139 10:How can you identify group membership of tracks in the Mix window? | back 139 Its group ID displays the active group name with a lowercase letter If it's in more than one group, it displays an uppercase letter of the topmost group |
front 140 10:How can you quickly select all members of a group? How might this be useful? | back 140 click the column to the left of the group name to select its member tracks If you might want to edit the tracks, see what all is in the group |
front 141 10:What are some options for modifying or deleting a group? | back 141 Modify: name, type, options, track membership Delete: mix window- Group ID- Delete [or] right-click group name in Group List- Delete |
front 142 10:What is the purpose of the All group? Can you modify track membership or delete this group? | back 142 When active, it overrides all other groups in the session, combining tracks in the session into a single large group No |
front 143 10:When is it necessary to apply Dither? Where should you insert a dither plug-in? | back 143 When reducing bit-depth A Master Fader |
front 144 10:What is noise shaping used for in a dither plug-in? How is noise shaping used by the POW-r dither plug-in? | back 144 Helps improve the signal-to-noise ratio of dither POW-r Dither improves audio performance and reduces the perceptible noise inherent in dither by shifting noise components to a less audible range |
front 145 10:What are the steps involved in creating a session archive? Why is it important to use the Save Copy In command before compacting sound files? | back 145 1. Clear unused files from the session 2. Create a copy of the session [Save Copy In] 3. Compact the parent files |