syncopation
stress on any portion of the measure other than the first part of the first beat
scat singing
jazz improvisation using the human voice as an instrument, with nonsense syllables instead of words
chorus
single playing through of the structure being used to organize the music in an improvisation
a jazz solo, regardless of its length
collective improvisation
simultaneous improvisation by all members of a group together
blues
simple, funky style of black music separate from but coexistent with jazz
comping
syncopated chording which provides improvised accompaniment for simultaneously improvised solos, flexibly complementing the rhythms and implied harmonies of the solo line
blue notes
pitch somewhere between a major third and minor third or between a major seventh and minor seventh step of the scale
walking bass line
style of bass line in which each beat of each measure receives a separate tone, thus creating a moving sequence of quarter notes in the bass range
chord progression
when one chord changes or "progresses" to another chord
double-time
feeling that a piece of music or a player is going twice as fast as the tempo, although the chord progressions continue at the original rate
riff
phrase, melodic fragment, theme
ragtime
popular turn-of-the-century style of written piano music involving pronounced syncopation
rhythm section
group of players whose band functions is accompanying
ragtime
multi-themed, usually grouped AA BB A CC DD
written/printed piano music
call and response
1 element of band calls 'question' another element responds with 'answer'
scott joplin
most renewed compose and pianist of ragtime music
published 'original rags'
wrote around 40 rags, 2 opera, and a ballet
classic blues
female singers
piano or small band accompaniment
about love, misery, and sexual innuendo
country blues
from folk traditions; work songs and 'hollers'
male singer accompanying himself on guitar or banjo
storytelling
uses AAB form
bessie smith
weighty powerful tone
aggressive singing style
AAB
jelly roll morton
1st pianist to do rag time and jazz
perfected swing feel
mixed ragtime with less formal more blues oriented styles
james p johnson
composer,conductor,pianist
the father of stride piano
one of 1st jazz musicians to be board cast on radio
earl hines
west end blues was claim to fame
popular via radio
surprise is center of his solos
stride style; physical played
stop time and double time fingers
fletcher henderson
sectionalization
block chord writing; solos
duke ellington
master compose/arranger
most important jazz composer
2000 works of wide variety
swing
smoother overall rhythmic feel
musicians refined skills
saxophone and upright bass more common
high-hat symbols used more
stride
left-hand style used by early jazz pianist
trumpet
highest in the brass family
cornet
brass instrument, distinguished by its conical bore, compact shape, and mellower tone quality
stop time
rhythmic advice whereby a chord or accent is played only on the first beat of every bar or every other bar, typically accompanying a solo
solo break
short segment of jazz piece in which the soloist plays without accompaniment
trading fours
usually occurs after each musician has a chance to play a solo and often involves alternating with the drummer
clarinet
woodwind instrument with a single-reed mouthpiece
dixieland
usual instrument was trumpet, clarinet, piano, trombone, string bass, drums, and banjo
count basie
American jazz pianist, organist, bandleader, and composer
johnny hedges
alto saxophonist
lester young
American jazz tenor saxophonist and occasional clarinet
joe "king" oliver
one of the most important figures in jazz; started as trombonist
louis armstrong
american jazz trumpeter, singer, soloist,
bix beiderbecke
american jazz corniest, jazz pianist, and composer